![]() While on the other hand if you want to maintain temporary detail then you can use smaller settings for the drive amount and larger mix settings. ![]() If mixed in low over the program material this will then create the impression of loudness without increases much in an actual gain. Then what happens is the large amount setting makes a saturation effect, which is mostly like a limiter, which then increases the perceived volume. There is a good trick also, you can increase the amount of with care and then mix in this processing with a few mix sets, Let’s say 5-10 percent. There are also a few types of effects to select from, but I am getting amazing results at the time being by using the default Tape selection. There is a much more smooth range of processing before any of the negative artifacts are introduced. I have to prefer the new harmonic exciter model which is available in Ozone 5. It could also add a nice shine and polish on tracks but you have to take care in order to not create any harshness or a digital quality to music after going through my analog mastering chain. Recently, I had the exciter in Ozone 4 very finely. The Second most module for me in Ozone 5 is the Exciter. ![]() ![]() This app also offers a multi-tabbed environment where you can load numerous projects and work on then at the same time. You have two options, either to download a simple VST or use the standalone version. It has also got a quick and simple installation process. It is a complete audio mastering tool that will offer loads of features as well as options for creating your tunes.
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